By Raji M. Rammuny

ISBN-10: 0472082612

ISBN-13: 9780472082612

A linguistic smorgasbord of real-life Arabic texts

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Read or Download Advanced Standard Arabic through Authentic Texts and Audiovisual Materials: Part One, Textual Materials PDF

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Additional info for Advanced Standard Arabic through Authentic Texts and Audiovisual Materials: Part One, Textual Materials

Example text

Narratives that readers of “American” literature might be trained to expect to find in a section focusing on the end of the eighteenth century to the middle of the nineteenth—national romance        narratives involving Spaniards or about Spain such as James Fenimore Cooper’s The Prairie () with its Doña Inez de Certavallos or the chronicles and historical romances of “Hispanophiles” such as Washington Irving and William H. Prescott. The reason for this trajectory is my interest in demonstrating the crucial role that Spanish characters and patterns of references to Spain play in tales that have been taken primarily for psychological thrillers and secondarily in relation to history.

Every joyous and tender scene most dear to my memory is connected with this edifice . . a thousand conversations, pregnant with delight and improvement, took place . . the social affections were accustomed to expand, and the tear of delicious sympathy to be shed. () Moreover, the placement by Clara’s brother of a bust of Cicero in the temple serves to associate this structure with public action or civic vocation and suggests that the foursome have, according to eighteenth-century dictates of virtue, balanced private interest and public responsibility.

Unlike Wieland and “William Wilson,” which fatally insinuate the figure of the Spaniard as seducer and persecutor, “The Pit and the Pendulum” concludes with the rescue of the narrator and the defeat of the Inquisition. The narrator’s persecutorial Other is more concretely and minutely distinguished and Orientalized as not only Spanish and Catholic but as Saracenic. “Benito Cereno” figures the conflict in the form of scenes between members of a maritime fraternity, two sea captains, the Spaniard Benito Cereno and the Anglo-American Amasa Delano.

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Advanced Standard Arabic through Authentic Texts and Audiovisual Materials: Part One, Textual Materials by Raji M. Rammuny


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