By John Gaitha Browning
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Additional info for An Artist at War: The Journal of John Gaitha Browning (War and the Southwest Series, No. 3)
The Southwest is defined loosely as those states of the United States west of the Mississippi River and south of a line from San Francisco to St. Louis as well as the borderlands straddling the Mexico-United States boundary. The series will include works involving military life in peacetime in addition to books on warfare itself. It will range chronologically from the first contact between indigenous tribes and Europeans to the present. The series is based on the belief that warfare is an important if unfortunate fact of life in human history and that understanding war is a requirement for a full understanding of the American past.
His pleasant childhood experiences were filled with loving family contacts with his unmarried aunts, Maude and Dot. His father spent long hours working in the Santa Fe Railroad Shop and had little time for the interests of a growing boy, but his mother placed the welfare and happiness of Gaitha and his sister, Elizabeth, above all else. With her encouragement he joined a Boy Scout troop at an early age. The interests and activities which he shared here were to affect his life profoundly. His scoutmaster, Cliff Pouncey, was like a second father to the sensitive boy and developed his interest and knowledge in nature lore and in a study of the American Indian culture.
Captain Gudgeon made a good and subtle Neptune, and Captain Shaul was a ruthless Royal Barber. The cast included a wife, and also a mistress for Neptune, a jester, and others. Court convened on B deck aft, where a tank had been constructed of framework and heavy canvas. Neptune opened the court with a thump of his tridon and a wave of his long white whiskers. The fun was on, beginning with indignities on the colonel himself, who was led out blindfolded onto the raised square of the hold, clad only in his shorts.
An Artist at War: The Journal of John Gaitha Browning (War and the Southwest Series, No. 3) by John Gaitha Browning
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